Susudua (Measuring Stick) kente cloth, Cooper Hewitt, Smithsonian Design Museum

Cloth Profile

Susudua Kente Prestige Cloth

Name in Twi

Susudua

Meaning

Measuring stick

Origin Region

First Recorded

1969

Typical Use

Worn by all. A cloth of general prestige use within the Asante tradition, not restricted to royalty or specific ceremonial office.

Signature Pattern

Cloth Profile KR-D-2026-15048
Cloth Name
Susudua — “Measuring Stick”
Registry No.
KR-D-2026-15048
Origin
Bonwire, Ashanti Region, Ghana
Weaver
Unknown · Research in progress
Pattern Family
Prestige cloths
Signature Pattern
Susudua (measuring-stick)
Typical Use
Worn by all · Ceremonial and everyday
First Recorded
Early to mid-20th century
Holding Institution
Cooper Hewitt, Smithsonian Design Museum
Accession Year
1969
Department
Textiles
Provenance
Research in Progress

Provenance

The weaver’s identity is undocumented. The cloth is held by Cooper Hewitt, Smithsonian Design Museum, where it was acquired in 1969 and photographed by the museum in 2013. It is dated early to mid-20th century. The medium is viscose rayon, hand-loomed in plain weave with discontinuous supplementary weft patterning.

Beyond these facts from Cooper Hewitt’s accession record, attribution remains open. The cloth almost certainly originates from the artisan community in Bonwire that has long woven in service to the Asante royal court, but no individual weaver has been identified. Kente Registry welcomes additional documentation from researchers, descendants of Bonwire weavers, and cultural historians who may help illuminate this cloth’s origins.


The Susudua pattern

The name carries its own technical instruction. Susudua is the Akan word for the measuring stick the weaver uses to align each pattern block. The cloth is woven in continuous narrow strips that are later cut and sewn together; without careful alignment the checkerboard design would not meet across the seams. The pattern is named for the tool that makes it possible.

Cooper Hewitt’s accession record, drawing on Malika Kraamer’s scholarship in African Arts (Kraamer, “Ghanaian Interweaving in the Nineteenth Century: A New Perspective on Ewe and Asante Textile History,” African Arts 39, no. 4), describes the cloth as composed of three patterning systems working together: a balanced-weave check that forms the structural base, weft-faced stripes that provide secondary patterning, and supplementary weft zigzags that produce the small geometric motifs within each block. The interplay of these three systems is what distinguishes Susudua from simpler kente compositions.


What the photograph shows

Susudua (Measuring Stick) kente cloth, Cooper Hewitt, Smithsonian Design Museum
Susudua (measuring-stick) kente cloth. Photograph by Cooper Hewitt, Smithsonian Design Museum, 2013.

The cloth presents a checkerboard of rectangular blocks in warm golden-brown and rust tones, with red-orange and olive-green supplementary weft accents. Each block contains a small zigzag or diamond motif. The blocks sit on a vertically striped background, the balanced-weave check, and are framed at top and bottom by bold horizontal borders in the same warm palette.

The viscose rayon medium gives the cloth a subtle sheen visible in the museum’s photograph, distinguishing it from earlier plant-fibre kentes while preserving the visual richness expected of a prestige cloth.


Research in progress

Several questions remain open and the registry continues to research them.

The weaver. No individual attribution exists. Workshop attribution within Bonwire’s artisan community would also be informative if the cloth can be linked to a specific weaving lineage.

Dating. Cooper Hewitt dates the cloth to the early to mid-20th century. Material analysis or comparison with dated examples might narrow this range further.

Donor and acquisition pathway. The cloth was acquired by Cooper Hewitt in 1969. A donor name has appeared in earlier draft documentation of this record but has not yet been verified against Cooper Hewitt’s published accession data and is omitted here pending confirmation. Researchers with access to Cooper Hewitt’s donor records are invited to assist.

Contributions of oral history, archival material, or scholarly analysis bearing on any of these questions are welcomed at the registry.

Attribution and sources

Attribution
Community-heritage

Sources

  1. Cooper Hewitt, Smithsonian Design Museum, accession record for the Susudua Kente Prestige Cloth (acquired 1969), https://collection.cooperhewitt.org/objects/18467843/. The accession record documents Susudua as a community-heritage Asante prestige pattern, with no individual attribution. The pattern is named for the measuring stick the weaver uses to align the checkerboard design.
  2. Kraamer, Malika. “Ghanaian Interweaving in the Nineteenth Century: A New Perspective on Ewe and Asante Textile History.” African Arts 39, no. 4. Cited by Cooper Hewitt as the source for the susudua pattern attribution.

Information provided by

  • Cooper Hewitt, Smithsonian Design Museum , Institutional curator . Accession record consulted via Cooper Hewitt online collection.

From the Registry

Woven by

This cloth is documented as community-heritage; no individual weaver is named.